Flight of the wild geese – Australia’s place in the world of global talent

As the global pandemic has unfolded, I have been struck by how out of touch a large number of Australians are with Australia’s place in the world. Before the pandemic many Australians had become used to travelling overseas regularly – and spending large amounts of money while there – but we seem to think that our interaction with the global world is all about discretionary leisure travel. In contrast, increasingly many Australians were travelling – and living – overseas because their jobs required it. Whether working for multinational companies that have branches in Australia or Australian companies trying to break into global markets, Australian talent often needs to be somewhere else than here to make the most of opportunities for Australia. Not only technology, but even more importantly, talent, will be crucial to the economy of the future.

Watching the course of this global pandemic, I have been struck by how out of touch a large number of Australians are with Australia’s place in the world. While before the pandemic many Australians had become used to travelling overseas regularly – and spending large amounts of money while there – we seem to think that all our interaction with the world is about discretionary leisure travel. Australians stranded overseas during the pandemic have been abused on social media, as though they just wanted to have a holiday.

It's not only technology that fuels the new economy of the future - but talent

In contrast, increasingly many Australians were travelling – and living – overseas because their jobs required it. Whether working for multinational companies that have branches in Australia, Australian companies trying to break into global markets or companies based overseas, Australian talent often needs to be somewhere else than here. They are part of a globe-trotting aristocracy of labour, increasingly a different form of essential worker, fuelling the modern global economy and, as a result, the many national and local economies connected to it.

Updates on creativity and culture an email away

After many decades working across the Australian cultural sector, I have been regularly posting to my suite of blogs about creativity and culture, ever since I first set them up over 10 years ago. You can follow any of the blogs through email updates, which are sent from time to time. The app that I have used for this is shutting down the feature, so I have found a replacement, ‘follow.it’. If you don’t already follow my blogs and you want to take advantage of this new service, you can simply add your email address to the blog page, and then confirm that you want to receive updates when you receive the follow up email.

There are four blogs in all, covering the gamut of creativity and culture; humour; food and cooking; and creative writing. ‘indefinite article’ is irreverent writing about contemporary Australian society, popular culture, the creative economy and the digital and online world – life in the trenches and on the beaches of the information age. ‘balloon’ is thought balloons for our strange and unsettled times – brief quirky articles about the eccentricities of everyday life, almost always with a sense of short black humour. ‘handwriting’ is homegrown graffiti from the digital world – writing, rhyming and digital animations; ‘tableland’ is food and cooking from land to table – the daily routine of living in the high country, on the edge of the vast Pacific, just up from Sydney, just down from Mount Kosciuszko. The blogs are complemented by two briefer social media channels – indefinite article on Facebook, which is short arts updates and cultural commentary; and Twitter, short, sharp and shiny.

If you want to make sure you don’t miss any of my updates, simply select the blogs you are interested in and set up the update by adding your email. For ‘indefinite article’ on Facebook or for Twitter simply follow or like my feed.

Contemporary Indigenous fashion – where community culture and economics meet

The recent exhibition 'Piinpi', about contemporary Indigenous fashion, has a significance for Australian culture that is yet to be fully revealed. The themes covered by the exhibition are important because they demonstrate the intersection of the culture of First Nations communities with creative industries and the cultural economy. In attempting to address the major issue of Indigenous disadvantage, for example, it is critical to recognise that one of the most important economic resources possessed by First Nations communities is their culture. Through the intellectual property that translates it into a form that can generate income in a contemporary economy, that culture is pivotal to jobs and to income. It may not be mining but it mines a far richer seam – authentic and rich content that has already been recognised internationally for its high value, just like our iron and coal. At a time when First Nations communities are talking increasingly about gaining greater control over their economic life, this is highly relevant.

After remotely reviewing ‘Piinpi’, the important exhibition about contemporary Indigenous fashion, when it first opened at Bendigo Art Gallery last year – at a time when I expected to never see the exhibition myself in the flesh (or the fabric) – I have finally seen it.