Friday, April 2, 2021

Broader and deeper - the creativity and culture of everyday life

The Impact and Enterprise post-graduate course at the University of Canberra is unique in Australia in placing creative industries and the creative and cultural economy in the broader landscape of the wider impacts of creativity and culture - both economic and social. It starts from the premise that what the broader social and economic roles of creativity and culture have in common is that a focus on the economic role of creativity and culture is similar to the focus on its community role – both spring from recognition that creativity and culture are integral to everyday life and the essential activities that make it up. In March 2021, as the course entered its third year, I gave a talk to the students about where it came from.

Increasingly I realise that everything is connected – if only we are able to recognise how and benefit accordingly. The ripple effects of creativity and culture reach far further than we might expect.

At one point one of my managers in the public service commented with a note of disapproval that I seemed to have done lots of different jobs in my career. What she didn’t realise was that I had done the same job, but in lots of different places. I was surprised that she didn’t see that because one of the things I loved most about my time in the Commonwealth public service was that every couple of years – if not months – you would find yourself doing something new.

You would never hear about this, but at the height of the pandemic, one of my former Arts colleagues found herself working around the clock in a task force set up to liaise with the major supermarkets to ensure that supplies didn’t run out, as a major attack of moronavirus stripped the shelves of toilet paper.

Thursday, March 18, 2021

Beyond boundaries – Dr Terry Cutler and how to connect everything

The global pandemic has so upended the world we knew that everyday matters, like relationships, birthdays, births and deaths have often slipped by unnoticed and uncelebrated. In a world of pandemic and lockdowns – and shakedowns by government – such things seem to go unnoticed. In such a way the departures – through retirement or death – of those who have made unparalleled contributions to our future have often passed before we even notice. This was certainly the case with strategic creative and cultural thinker, Dr Terry Cutler, who died during the pandemic lockdown last year, when the focus of most of the world was on other things. 

I was listening to a talk about innovation by Professor Stuart Cunningham at the University of Canberra when I was shocked to hear that Dr Terry Cutler had died last year. In a world of pandemic and lockdowns – and shakedowns by government – such things seem to go unnoticed. Terry Cutler did so many things, across so many areas, that it’s difficult to even skim across them all – strategist at Telecom Australia in the early days of the digital revolution, key figure on the board of the respected science and technology body, the CSIRO, President of the Australian Centre for the Moving Image, to name just a few of his many roles.

Terry Cutler crossed boundaries with his interest in the potential of the content of cultural institutions for creative industries. One of his later roles was President of the ground-breaking Australian Centre for the Moving Image.

Too soon to tell
What I want to touch on is only a part of this, in a period when I worked with him. It is only part, but it is extremely important. I regularly come back to much of it in my blog articles about innovation, cultural institutions, content and the digital universe. It has informed ‘Impact and Enterprise’, the post-graduate Unit I developed at the University of Canberra. This focuses on the interrelationship of the broader economic and social impacts of creativity and culture, arising from the way creativity and culture is a central part of everyday life and the activities that make it up.

‘When asked what he saw as the long term effects of the French Revolution, [he replied] that it was too soon to tell.’