In the new world order, as the American empire seems to be starting to unravel, there are likely to be severe repercussions for other countries and their international cultural presence. One of the unnoticed casualties of the tariff wars may be Australian content and our local screen industry. The Albanese Government has been promising a new model to ensure that streaming services commit funds to Australian content. The Americans, especially the new regime, are very hostile to any form of regulation or quotas and may apply pressure to stymie the Australian plan.
We live in dangerous times. People are likely to die from it, industries and livelihoods will be destroyed and power and wealth will become even more concentrated. Ultimately I don’t much care if America chooses to unravel its empire, that has dominated the world since the end of World War 2. Some wit described the times as ‘like watching the fall of the Roman Empire, but with wi-fi’.
The trick is to determine what little an individual can do to stave of the chaos – and then do your bit, whether that means no longer buying from the tech bros who have gleefully helped create this mess, moving away from commercial social media or waving placards at substandard leaders as they drive past on their way to their holiday.
Dawn service – revisiting a long and personal story
‘Understanding, assessing and communicating the broad value of arts and culture is a major and ongoing task. There has been an immense amount of work already carried out. The challenge is to understand some of the pitfalls of research and the mechanisms and motivations that underpin it. Research and evaluation is invaluable for all organisations but it is particularly important for Government. The experience of researching arts and culture in Government is of much broader relevance, as the arts and culture sector navigates the tricky task of building a comprehensive understanding in each locality of the broader benefits of arts and culture. The latest Arts restructure makes this even more urgent.’, Better than sport? The tricky business of valuing Australia’s arts and culture.
Crossing boundaries – the unlimited landscape of creativity
‘When I was visiting Paris last year, there was one thing I wanted to do before I returned home – visit the renowned French bakery that had trained a Melbourne woman who had abandoned the high stakes of Formula One racing to become a top croissant maker. She had decided that being an engineer in the world of elite car racing was not for her, but rather that her future lay in the malleable universe of pastry. Crossing boundaries of many kinds and traversing the borders of differing countries and cultures, she built a radically different future to the one she first envisaged’, Crossing boundaries – the unlimited landscape of creativity.
We live in dangerous times. People are likely to die from it, industries and livelihoods will be destroyed and power and wealth will become even more concentrated. Ultimately I don’t much care if America chooses to unravel its empire, that has dominated the world since the end of World War 2. Some wit described the times as ‘like watching the fall of the Roman Empire, but with wi-fi’.
The National Film and Sound Archive, custodian of Australia’s long and proud history of screen culture.
Like most ordinary people, I can do little to influence it and am content to sit and watch in horror as the leadership of a country proceeds to junk many of the things that made it ‘great’ - whatever that means. Maybe a world with one less dominant superpower will prove to be an improvement for the rest of us. I’m suspending my judgement. The Chinese leadership must be rubbing their hands together in glee.
What counts is how Australia is affected
What counts is how Australia is affected
It’s not my business what the Americans do that harms their economy and society. I care when it affects Australia. This is likely to happen in several ways. The first is if the wannabe neo-liberals in this country are emboldened by what is happening elsewhere, especially when big bucks are poured in to encourage Australia to go down the same path. The second is the direct and indirect impacts on our economy and society from what is happening in the US and globally.
The trick is to determine what little an individual can do to stave of the chaos – and then do your bit, whether that means no longer buying from the tech bros who have gleefully helped create this mess, moving away from commercial social media or waving placards at substandard leaders as they drive past on their way to their holiday.
Creativity and culture, economic productivity and cultural diversity
My approach is from two connected perspectives. The first is that of creativity and culture and the second is that of economic productivity. The two are linked through the important role of the creative economy and its link to the digital and online universe which is the hallmark of our times. They are further linked to global cultural diversity and interaction, also the hallmark of our times, because of the central role it plays in fostering innovation, new ways of thinking and connecting the world.
Threatening productivity
The new American Government – mirrored by the rhetoric of an unimaginative Australian Coalition – is making major changes that threaten productivity. It is restricting work from home, limiting the use of any language other than English in which to do business, deporting or blocking workers essential to the operation of the economy and axing programs which increase economic and social participation by as broad a range of people as possible – in what kind of weird universe are women considered to be a ‘minority’.
On top of this, it is energetically destroying programs and research that help the country face the inevitable pandemics of the (near) future and this is likely to have major consequences for everyone world-wide. Some of those potential pandemics are already starting to appear in the US. It’s worth remembering that there is evidence that the ‘Spanish’ flu, which swept the world after World War One, killing untold millions, originated in Kansas.
My approach is from two connected perspectives. The first is that of creativity and culture and the second is that of economic productivity. The two are linked through the important role of the creative economy and its link to the digital and online universe which is the hallmark of our times. They are further linked to global cultural diversity and interaction, also the hallmark of our times, because of the central role it plays in fostering innovation, new ways of thinking and connecting the world.
Threatening productivity
The new American Government – mirrored by the rhetoric of an unimaginative Australian Coalition – is making major changes that threaten productivity. It is restricting work from home, limiting the use of any language other than English in which to do business, deporting or blocking workers essential to the operation of the economy and axing programs which increase economic and social participation by as broad a range of people as possible – in what kind of weird universe are women considered to be a ‘minority’.
‘My approach is from two connected perspectives. The first is that of creativity and culture and the second is that of economic productivity. The two are linked through the important role of the creative economy and its link to the digital and online universe which is the hallmark of our times.’
On top of this, it is energetically destroying programs and research that help the country face the inevitable pandemics of the (near) future and this is likely to have major consequences for everyone world-wide. Some of those potential pandemics are already starting to appear in the US. It’s worth remembering that there is evidence that the ‘Spanish’ flu, which swept the world after World War One, killing untold millions, originated in Kansas.
Unnoticed casualties
What concerns me is that one of the unnoticed casualties of the tariff wars may be Australian content and a local screen industry. The export value of Australian screen production is minute in comparison to the vast flood of imported content from the US. However, its is culturally and economically significant for Australia. The Albanese Labor Government had been promising a new model to ensure that streaming services commit funds to Australian content. For those of you who can access the Sydney Morning Herald, a recent article looks at this issue in some detail.
The Americans, especially the new regime, are very hostile to any form of regulation or quotas. If they chose to push hard, they might threaten tariffs on other industries that have a tighter grip on Government, like agriculture or mining. In such a scenario, cultural production might be sacrificed for bigger sectors, that are more significant in terms of economic income, but less important for Australia’s standing and presence in the global world. Given the way so little value is accorded to creativity and culture and the cultural economy in Australia, this possibility is alarmingly likely.
© Stephen Cassidy 2025
What concerns me is that one of the unnoticed casualties of the tariff wars may be Australian content and a local screen industry. The export value of Australian screen production is minute in comparison to the vast flood of imported content from the US. However, its is culturally and economically significant for Australia. The Albanese Labor Government had been promising a new model to ensure that streaming services commit funds to Australian content. For those of you who can access the Sydney Morning Herald, a recent article looks at this issue in some detail.
‘The export value of Australian screen production is minute in comparison to the vast flood of imported content from the US. However, its is culturally and economically significant for Australia.’
The Americans, especially the new regime, are very hostile to any form of regulation or quotas. If they chose to push hard, they might threaten tariffs on other industries that have a tighter grip on Government, like agriculture or mining. In such a scenario, cultural production might be sacrificed for bigger sectors, that are more significant in terms of economic income, but less important for Australia’s standing and presence in the global world. Given the way so little value is accorded to creativity and culture and the cultural economy in Australia, this possibility is alarmingly likely.
© Stephen Cassidy 2025
Also read this article on substack.
See also
An everyday life worth living – indefinite articles for a clean, clever and creative future
‘My blog “indefinite article” is irreverent writing about contemporary Australian society, popular culture, the creative economy and the digital and online world – life in the trenches and on the beaches of the information age. Over the last ten years I have published 166 articles about creativity and culture on the blog. This is a list of all the articles I have published there, broken down into categories, with a brief summary of each article. They range from the national cultural landscape to popular culture, from artists and arts organisations to cultural institutions, cultural policy and arts funding, the cultural economy and creative industries, First Nations culture, cultural diversity, cities and regions, Australia society, government, Canberra and international issues – the whole range of contemporary Australian creativity and culture’, An everyday life worth living – indefinite articles for a clean, clever and creative future.
‘My blog “indefinite article” is irreverent writing about contemporary Australian society, popular culture, the creative economy and the digital and online world – life in the trenches and on the beaches of the information age. Over the last ten years I have published 166 articles about creativity and culture on the blog. This is a list of all the articles I have published there, broken down into categories, with a brief summary of each article. They range from the national cultural landscape to popular culture, from artists and arts organisations to cultural institutions, cultural policy and arts funding, the cultural economy and creative industries, First Nations culture, cultural diversity, cities and regions, Australia society, government, Canberra and international issues – the whole range of contemporary Australian creativity and culture’, An everyday life worth living – indefinite articles for a clean, clever and creative future.
Beyond a joke – surviving troubled times
‘We live in troubled times – but then can anyone ever say that they lived in times that weren’t troubled? For most of my life Australia has suffered mediocre politicians and politics – with the odd brief exceptions – and it seems our current times are no different. Australia has never really managed to realise its potential. As a nation it seems to be two different countries going in opposite directions – one into the future and the other into the past. It looks as though we’ll be mired in this latest stretch of mediocrity for some time and the only consolation will be creativity, gardening and humour’, Beyond a joke – surviving troubled times.
‘We live in troubled times – but then can anyone ever say that they lived in times that weren’t troubled? For most of my life Australia has suffered mediocre politicians and politics – with the odd brief exceptions – and it seems our current times are no different. Australia has never really managed to realise its potential. As a nation it seems to be two different countries going in opposite directions – one into the future and the other into the past. It looks as though we’ll be mired in this latest stretch of mediocrity for some time and the only consolation will be creativity, gardening and humour’, Beyond a joke – surviving troubled times.
Music for modern times – the past reminds us of the future
‘Times are grim. People around the world are losing their life savings, innocent Americans are being deported to concentrations camps in Latin America, neo-liberals are on the rampage, like out of control crime gangs or brown-shirted goons. Luckily there is always creativity and culture, art and community action’, Music for modern times – the past reminds us of the future.
Childless and orphaned behind enemy lines
‘Life is made up of some big moments – birth, coming of age, getting an education, learning to dance, travelling to the other side of the world, playing music, speaking other languages, having children – even the death of loved ones, just so we know it’s not all fun. I sometimes realise that I am a childless orphan, stuck behind what could be enemy lines, in a world that is unravelling – a world that our generation gave birth to. We are teetering in a strange balance between building on the achievements of the past and desperately trying to dismantle them. In this time of upheaval – both good and bad – creativity is needed like never before. Underpinning our world, creativity and culture are the glue that holds everything together and the engine that drives it’, Childless and orphaned behind enemy lines.
Based on a true story
‘The whole idea that something is ‘based on a true story’, raises questions about fiction and lies, reality and truth and the whole relationship between creative interpretation and everyday life. While things are usually exactly what they seem – which is why conspiracy theories, while satisfying, are usually wrong – sometimes things are definitely not what they seem. Having worked in Government for quite a few years I often think that what might look like a malignant conspiracy, is more likely to be incompetence. Government can make big things happen, but usually doesn’t. It might be nice to think that Government could plan grand strategies, but often maybe it’s just bumbling along. Despite this, the answer to the question of whether something is based on a true story, is that everything is based on a true story,’ Based on a true story.
‘The whole idea that something is ‘based on a true story’, raises questions about fiction and lies, reality and truth and the whole relationship between creative interpretation and everyday life. While things are usually exactly what they seem – which is why conspiracy theories, while satisfying, are usually wrong – sometimes things are definitely not what they seem. Having worked in Government for quite a few years I often think that what might look like a malignant conspiracy, is more likely to be incompetence. Government can make big things happen, but usually doesn’t. It might be nice to think that Government could plan grand strategies, but often maybe it’s just bumbling along. Despite this, the answer to the question of whether something is based on a true story, is that everything is based on a true story,’ Based on a true story.
‘Waking before dawn on ANZAC Day I suddenly thought I’d take part in my own one-person Dawn Service by thinking quietly about those in my own extended family who had been to war. That’s my five uncles all of whom fought in World War 2 – and survived – with a sense of humour and a string of medals. It’s also my family-in-law – my father-in-law and mother-in-law who were both conscripted into the German Army. My father-in-law once said to me ‘I’d had enough of armies’. My under-age father tried in vain to join up to be with the brothers he adored, but his father refused to sign the necessary papers – luckily, otherwise I might not be here, part of a later generation, remembering them all with great sadness’, Dawn service – revisiting a long and personal story.
Returning to reading – finding the best of all possible worlds
‘It’s a strange time we live in – but then, has any time not been a strange time. I often think that there is no way on Earth that I would ever want to live in an earlier era, before medicine was so developed, when the average life expectancy was in the mid thirties, when life for most people was a short spell of drudgery punctuated by poverty and fear. I’m making the most of it. Lately I’ve started to balance my fascination with the easy-earned opinion of the online universe with a return to reading writing, as distinct from glancing at jotting’, Returning to reading – finding the best of all possible worlds.
Driveway dawn services – reclaiming remembrance
‘I usually pass Anzac Day quietly, as befits remembrance. I try to avoid the flag waving and the speeches and the politicians – difficult as that is during an election. However, the day touches on so many issues that affect the future of Australia, that it always makes me think about where we have come from and where we are going. Lest we forget – or be doomed to repeat’, Driveway dawn services – reclaiming remembrance.
‘I usually pass Anzac Day quietly, as befits remembrance. I try to avoid the flag waving and the speeches and the politicians – difficult as that is during an election. However, the day touches on so many issues that affect the future of Australia, that it always makes me think about where we have come from and where we are going. Lest we forget – or be doomed to repeat’, Driveway dawn services – reclaiming remembrance.
Art at work – imagining a future Australia
Better than sport? The tricky business of valuing Australia’s arts and culture‘In our strange new universe, where much of Australia burns while politicians make excuses for inaction, it’s time to take a hard look at what the arts can do. It’s an issue in the minds of many in the arts and culture sector. Part of the potential role of arts is around bushfire recovery – a much bigger part is around bushfire prevention. Artists have a role to play in designing a different future than what’s on offer and writing the story of a different future. Those social movements that are most powerful are the ones where arts and culture embodies and carries forward the essence of what they stand for. Think of the power of ceremony and ritual in the world – that is ultimately the power of art at work’, Art at work – imagining a future Australia.
Out of the ashes – art and bushfires
‘While the current bushfires raging across much of Australia are unprecedented in their scale and severity, they are a reminder of how people have responded after previous fires, rebuilding communities and lives in the affected areas. They have also focused attention on the impact of the fires on creative practices and business and on how those in the arts and culture sector can use their skills to contribute to bushfire recovery into the future’, Out of the ashes – art and bushfires.
Out of the ashes – art and bushfires
‘While the current bushfires raging across much of Australia are unprecedented in their scale and severity, they are a reminder of how people have responded after previous fires, rebuilding communities and lives in the affected areas. They have also focused attention on the impact of the fires on creative practices and business and on how those in the arts and culture sector can use their skills to contribute to bushfire recovery into the future’, Out of the ashes – art and bushfires.
‘Understanding, assessing and communicating the broad value of arts and culture is a major and ongoing task. There has been an immense amount of work already carried out. The challenge is to understand some of the pitfalls of research and the mechanisms and motivations that underpin it. Research and evaluation is invaluable for all organisations but it is particularly important for Government. The experience of researching arts and culture in Government is of much broader relevance, as the arts and culture sector navigates the tricky task of building a comprehensive understanding in each locality of the broader benefits of arts and culture. The latest Arts restructure makes this even more urgent.’, Better than sport? The tricky business of valuing Australia’s arts and culture.
Crossing boundaries – the unlimited landscape of creativity
‘When I was visiting Paris last year, there was one thing I wanted to do before I returned home – visit the renowned French bakery that had trained a Melbourne woman who had abandoned the high stakes of Formula One racing to become a top croissant maker. She had decided that being an engineer in the world of elite car racing was not for her, but rather that her future lay in the malleable universe of pastry. Crossing boundaries of many kinds and traversing the borders of differing countries and cultures, she built a radically different future to the one she first envisaged’, Crossing boundaries – the unlimited landscape of creativity.
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